Archive for May 8th, 2011

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May E-Notes…It was a grand finale!!

Sunday, May 8th, 2011

See you October 1st, as the New York Chamber Soloists open our 85th season.

Thanks to our Advertisers

Sunday, May 8th, 2011

Civic Music is supported by membership fees, donations, occasional corporate sponsors, and advertisers. We are grateful for those businesses who place ads in our program books.  This additional support is put directly toward booking talent for our series and for the expenses incurred in presenting the series.  You can help us show appreciation by mentioning Civic Music when you patronize these businesses.  Please express your appreciation for their support of the arts in our community.

If your business would like to advertise in next season’s program books, call the Civic Music office or visit our website.

Annual Meeting – Thurs., June 23

Sunday, May 8th, 2011

All members of the Brown County Civic Music Association are invited to attend the Annual Meeting.

Thursday, June 23, 2011, 7:00 P.M.

First United Presbyterian Church, Rooms 12-13 (lower level)
605 N Webster Ave.
De Pere, WI 54115

Located on the corner of Webster Ave. & George St.
Enter middle door from Waubaunuqua Tr. in the back.

Agenda includes election of Board of Directors, Executive Committee & Officers

Press Gazette: Milwaukee Symphony zesty in Russian program

Sunday, May 8th, 2011

Concert review
Milwaukee Symphony Orchestra
4 stars out of 4

By Warren Gerds wgerds@greenbaypressgazette.com

“Happy Russian composers” may seem contradictory, but that was the tone of the Milwaukee Symphony Orchestra’s concert Sunday night at Ralph Holter Auditorium of  Green Bay West High School. The concert of spirit and zest closed the 2010-2011 season for Brown County Civic Music Association.

From the opening, brilliant moments of Dmitri Shostakovich’s “Festive Overture” to the aural panoramas of Peter Ilyich Tchaikovsky’s “Capriccio Italien” at the end, the program was dominated by exuberance. Shostakovich’s “Symphony No. 9” playfully scampered in the opening movement. Driving rhythms grew faster and faster in later movements, with conductor Stuart Chafetz driving the frenzy. The program’s style was right down the alley for Chafetz, who likes to interact with the audience and toss hints. In the midst of a piece, he’ll strike a grand, smiling pose as if to tell the audience, “I’m having a great time, and you should, too.”  For Mikhail Glinka’s overture to “Russlan and Ludmilla,” Chafetz lept to the podium and into action. Music often swirled as it bookended passages of regal bearing.

Familiarity was the mark of selections in the second half. Included was the gliding suite from Tchaikovsky’s “The Sleeping Beauty.” Reinhold Gliere’s “Russian Sailor’s Dance” was laced with such boisterous color that it was easy to envision dancers dipping to deep knee bends followed by dramatic kicks. Chafetz introduced “Capriccio Italien” with flair: “A Russian writing about Italy – It’s so good you can taste the clothing.” Indeed, Tchaikovsky got caught up in  majesty, happiness and romance.

Chafetz and the rock solid orchestra immediately received a standing ovation. Chafetz was called back twice. That brought a sweet encore, French composer Maurice Jarre’s “Lara’s Theme.” While not of Russian birth, the music is from the Russian-rooted “Dr. Zhivago” novel and movie. And beautiful.